![]() ![]() ![]() ![]() ![]() However, relatively little research on emotion has made its way into narratology. Narratology has perhaps been the area of literary study most closely connected with cognitive science. This attention has spanned a range of disciplines, prominently including the fields gathered together under the rubric of cognitive science-thus parts of psychology, neuroscience, philosophy, anthropology, and so on. Over the last two decades, there has been an enormous increase in attention to emotion as a crucial aspect of human thought and action. However, this has not generally been the case. One might therefore expect the study of narrative to be inseparable from the study of emotions. Narratives are, in short, inseparable from emotions. This passion for plots is bound up with the passion of plots, the ways in which stories manifest feelings on the part of authors and characters, as well as the passion from plots, the ways stories provoke feelings in readers or listeners. Narratives are shared in every society, in every age, and in every social context, from intimate personal interactions to impersonal social gatherings. ![]()
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